Bizarrofilia vs Ella
Bizarrofilia is the shorter watch at 1h 24m compared with 1h 26m. Ella is the older of the two (2016 against 2024). Both are documentary movies, so they suit a similar mood.
| Bizarrofilia | Ella | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 0.0/10 |
| Year | 2024 | 2016 |
| Length | 1h 24m | 1h 26m |
| Genres | Documentary | Documentary |
| Country | Argentina | – |
| Director | Ayi Turzi | Douglas Watkin |
| Main cast | Darío Lavia, Tetsuo Lumière, Daniela Giménez, Valeria Arévalos, Ariel Sotomayor | Ella Havelka |
Synopsis
Bizarrofilia
Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality…
Ella
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra…
Where to watch
Where to watch BizarrofiliaWhere to watch Ella
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Bizarrofilia
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