Bizarrofilia vs God Respects Us When We Work, But Loves Us When We Dance
Bizarrofilia has the higher audience score (10/10 against 5.5/10 for God Respects Us When We Work, But Loves Us When We Dance). God Respects Us When We Work, But Loves Us When We Dance is the shorter watch at 20m compared with 1h 24m. God Respects Us When We Work, But Loves Us When We Dance is the older of the two (1968 against 2024). Both are documentary movies, so they suit a similar mood.
Bizarrofilia
God Respects Us When We Work, But Loves Us When We Dance| Bizarrofilia | God Respects Us When We Work, But Loves Us When We Dance | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 5.5/10 |
| Year | 2024 | 1968 |
| Length | 1h 24m | 20m |
| Genres | Documentary | Documentary |
| Country | Argentina | – |
| Director | Ayi Turzi | Les Blank, Skip Gerson |
| Main cast | Darío Lavia, Tetsuo Lumière, Daniela Giménez, Valeria Arévalos, Ariel Sotomayor | – |
Synopsis
Bizarrofilia
Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality…
God Respects Us When We Work, But Loves Us When We Dance
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Where to watch
Where to watch BizarrofiliaWhere to watch God Respects Us When We Work, But Loves Us When We Dance
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