Bizarrofilia vs Hammer: Heroes, Legends and Monsters
Bizarrofilia has the higher audience score (10/10 against 8.5/10 for Hammer: Heroes, Legends and Monsters). Bizarrofilia is the shorter watch at 1h 24m compared with 1h 30m. Both are documentary movies, so they suit a similar mood.
Bizarrofilia
Hammer: Heroes, Legends and Monsters| Bizarrofilia | Hammer: Heroes, Legends and Monsters | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 8.5/10 |
| Year | 2024 | 2024 |
| Length | 1h 24m | 1h 30m |
| Genres | Documentary | Documentary |
| Country | Argentina | – |
| Director | Ayi Turzi | Benjamin Field |
| Main cast | Darío Lavia, Tetsuo Lumière, Daniela Giménez, Valeria Arévalos, Ariel Sotomayor | Charles Dance, Tim Burton, Christopher Lee, Vincent Price, John Landis |
Synopsis
Bizarrofilia
Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality…
Hammer: Heroes, Legends and Monsters
A look at Hammer’s progression from a back office in London’s Regent Street to its iconic status within the horror film genre. The company, started by comedian and businessman William Hinds in 1934, made films such as The Curse of Frankenstein, Dracula, and The Quatermass Xperiment during the period for which it is best known, making stars out of the likes of Christopher Lee and Peter Cushing.
Where to watch
Where to watch BizarrofiliaWhere to watch Hammer: Heroes, Legends and Monsters
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