Bizarrofilia vs The Beloved Child, or I Play at Being a Married Woman

Bizarrofilia has the higher audience score (10/10 against 6.6/10 for The Beloved Child, or I Play at Being a Married Woman). The Beloved Child, or I Play at Being a Married Woman is the shorter watch at 35m compared with 1h 24m. The Beloved Child, or I Play at Being a Married Woman is the older of the two (1971 against 2024). Both are documentary movies, so they suit a similar mood.

Bizarrofilia posterBizarrofilia2024 VS The Beloved Child, or I Play at Being a Married Woman posterThe Beloved Child, or I Play at Being a Married Woman1971
BizarrofiliaThe Beloved Child, or I Play at Being a Married Woman
Audience score★ 10.0/10★ 6.6/10
Year20241971
Length1h 24m35m
GenresDocumentaryDocumentary
CountryArgentina–
DirectorAyi TurziChantal Akerman
Main castDarío Lavia, Tetsuo Lumière, Daniela Giménez, Valeria Arévalos, Ariel SotomayorClaire Wauthion, Chantal Akerman, Daphné Merzer

Synopsis

Bizarrofilia

Argentina is a country with an extensive and varied cinematography. Within this enormity, there is a rare, atypical… bizarre cinema. Bizarrofilia aims to investigate the origin and meaning of the word “bizarre”, how the passage of time implies reinterpretations of some works, and focuses on the contemporary production of films that aim to distance themselves from any mimetic representation of reality… although in a country like ours reality…

The Beloved Child, or I Play at Being a Married Woman

In this unfinished work, a young mother, her little girl, as well as a friend of the mother's, spend the summer in a villa. The mother shares her problems – womanhood, motherhood, being married - with her friend, dresses up with the little girl, observes her body, and does a series of household tasks.

Where to watch

Where to watch BizarrofiliaWhere to watch The Beloved Child, or I Play at Being a Married Woman

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