Clairtone vs God Respects Us When We Work, But Loves Us When We Dance
Clairtone has the higher audience score (10/10 against 5.5/10 for God Respects Us When We Work, But Loves Us When We Dance). God Respects Us When We Work, But Loves Us When We Dance is the shorter watch at 20m compared with 1h 13m. God Respects Us When We Work, But Loves Us When We Dance is the older of the two (1968 against 2025). Both are documentary movies, so they suit a similar mood.
Clairtone
God Respects Us When We Work, But Loves Us When We Dance| Clairtone | God Respects Us When We Work, But Loves Us When We Dance | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 5.5/10 |
| Year | 2025 | 1968 |
| Length | 1h 13m | 20m |
| Genres | Documentary | Documentary |
| Country | Canada | – |
| Director | Ron Mann | Les Blank, Skip Gerson |
| Main cast | Nina Munk, Mairéad Filgate | – |
Synopsis
Clairtone
Canadian electronics company Clairtone finds a successful niche producing high-end modernist stereo systems before succumbing to hard economic realities.
God Respects Us When We Work, But Loves Us When We Dance
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Where to watch
Where to watch ClairtoneWhere to watch God Respects Us When We Work, But Loves Us When We Dance
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