Clairtone vs The Beloved Child, or I Play at Being a Married Woman
Clairtone has the higher audience score (10/10 against 6.6/10 for The Beloved Child, or I Play at Being a Married Woman). The Beloved Child, or I Play at Being a Married Woman is the shorter watch at 35m compared with 1h 13m. The Beloved Child, or I Play at Being a Married Woman is the older of the two (1971 against 2025). Both are documentary movies, so they suit a similar mood.
Clairtone
The Beloved Child, or I Play at Being a Married Woman| Clairtone | The Beloved Child, or I Play at Being a Married Woman | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 6.6/10 |
| Year | 2025 | 1971 |
| Length | 1h 13m | 35m |
| Genres | Documentary | Documentary |
| Country | Canada | – |
| Director | Ron Mann | Chantal Akerman |
| Main cast | Nina Munk, Mairéad Filgate | Claire Wauthion, Chantal Akerman, Daphné Merzer |
Synopsis
Clairtone
Canadian electronics company Clairtone finds a successful niche producing high-end modernist stereo systems before succumbing to hard economic realities.
The Beloved Child, or I Play at Being a Married Woman
In this unfinished work, a young mother, her little girl, as well as a friend of the mother's, spend the summer in a villa. The mother shares her problems – womanhood, motherhood, being married - with her friend, dresses up with the little girl, observes her body, and does a series of household tasks.
Where to watch
Where to watch ClairtoneWhere to watch The Beloved Child, or I Play at Being a Married Woman
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