Clotilda: Last American Slave Ship vs On the Impossibility of an Homage
On the Impossibility of an Homage has the higher audience score (10/10 against 4.4/10 for Clotilda: Last American Slave Ship). Clotilda: Last American Slave Ship is the older of the two (2022 against 2024). Both are documentary movies, so they suit a similar mood.
Clotilda: Last American Slave Ship
On the Impossibility of an Homage| Clotilda: Last American Slave Ship | On the Impossibility of an Homage | |
|---|---|---|
| Audience score | ★ 4.4/10 | ★ 10.0/10 |
| Year | 2022 | 2024 |
| Length | – | 19m |
| Genres | Documentary | Documentary |
| Country | – | Germany |
| Director | Lisa Feit | Xandra Popescu |
| Main cast | Sylviane Diouf, Natalie S. Robertson, Mary Elliott, James P. Delgado, Stacye Hathorn | Gabriela Durleci, Cristian Susu, Mirela Simniceanu, Ion Tugearu |
Synopsis
Clotilda: Last American Slave Ship
This new documentary special is about the most intact slave shipwreck found to date and the only one for which we know the full story of the voyage, the passengers and their descendants.
On the Impossibility of an Homage
Given a portrait, who is responsible for the image we see, the painter or the subject? Ion used to be a a rockstar of Ballet in Communist Romania. When we first discussed the possibility of a portrait, Ion was initially thrilled. He’d been dreaming that someday there’d be a film about him. But during the filmmaking process Ion finds it hard to let go.
Where to watch
Where to watch Clotilda: Last American Slave ShipWhere to watch On the Impossibility of an Homage
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