Dawn of Impressionism: Paris 1874 vs On the Impossibility of an Homage
On the Impossibility of an Homage has the higher audience score (10/10 against 5.8/10 for Dawn of Impressionism: Paris 1874). On the Impossibility of an Homage is the shorter watch at 19m compared with 1h 32m. On the Impossibility of an Homage is the older of the two (2024 against 2025). Both are documentary movies, so they suit a similar mood.
Dawn of Impressionism: Paris 1874
On the Impossibility of an Homage| Dawn of Impressionism: Paris 1874 | On the Impossibility of an Homage | |
|---|---|---|
| Audience score | ★ 5.8/10 | ★ 10.0/10 |
| Year | 2025 | 2024 |
| Length | 1h 32m | 19m |
| Genres | Documentary | Documentary |
| Country | – | Germany |
| Director | Ali Ray | Xandra Popescu |
| Main cast | – | Gabriela Durleci, Cristian Susu, Mirela Simniceanu, Ion Tugearu |
Synopsis
Dawn of Impressionism: Paris 1874
The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first…
On the Impossibility of an Homage
Given a portrait, who is responsible for the image we see, the painter or the subject? Ion used to be a a rockstar of Ballet in Communist Romania. When we first discussed the possibility of a portrait, Ion was initially thrilled. He’d been dreaming that someday there’d be a film about him. But during the filmmaking process Ion finds it hard to let go.
Where to watch
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