Donbass vs Jascha Heifetz: God's Fiddler
Jascha Heifetz: God's Fiddler has the higher audience score (10/10 against 5.4/10 for Donbass). Donbass is the shorter watch at 57m compared with 1h 27m. Jascha Heifetz: God's Fiddler is the older of the two (2011 against 2016). Both are documentary movies, so they suit a similar mood.
Donbass
Jascha Heifetz: God's Fiddler| Donbass | Jascha Heifetz: God's Fiddler | |
|---|---|---|
| Audience score | ★ 5.4/10 | ★ 10.0/10 |
| Year | 2016 | 2011 |
| Length | 57m | 1h 27m |
| Genres | Documentary | Documentary |
| Country | – | United States of America |
| Director | Anne-Laure Bonnel | Peter Rosen |
| Main cast | Anne-Laure Bonnel | Itzhak Perlman, Jascha Heifetz |
Synopsis
Donbass
Anne-Laure Bonnel, a young director and mother of a French family, decides to accompany Alexander, a father of Ukrainian family, to the Donbass region of eastern Ukraine in a pro-Russian zone. At the heart of the war, she captures the terrible images of a deadly conflict and an unprecedented humanitarian disaster.
Jascha Heifetz: God's Fiddler
Not since Paganini had there been such a magician on the violin. Jascha Heifetz was the first truly modern virtuoso, a man about whom Itzhak Perlman said, 'When I spoke with him, I can't believe, I'm talking to God'. Heifetz was a legendary but mysterious figure whose story embodies the dual nature of artistic genius. The paradox of how a mortal man lives with immortal gifts - gifts he must honor, but which extract a life-long price. Is the man…
Where to watch
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