God Respects Us When We Work, But Loves Us When We Dance vs Heartstopper: Ending on a Hi
Heartstopper: Ending on a Hi has the higher audience score (10/10 against 5.5/10 for God Respects Us When We Work, But Loves Us When We Dance). God Respects Us When We Work, But Loves Us When We Dance is the shorter watch at 20m compared with 35m. God Respects Us When We Work, But Loves Us When We Dance is the older of the two (1968 against 2026). Both are documentary movies, so they suit a similar mood.
God Respects Us When We Work, But Loves Us When We Dance
Heartstopper: Ending on a Hi| God Respects Us When We Work, But Loves Us When We Dance | Heartstopper: Ending on a Hi | |
|---|---|---|
| Audience score | ★ 5.5/10 | ★ 10.0/10 |
| Year | 1968 | 2026 |
| Length | 20m | 35m |
| Genres | Documentary | Documentary |
| Country | – | United Kingdom |
| Director | Les Blank, Skip Gerson | Luke Hyams |
| Main cast | – | Joe Locke, Kit Connor, William Gao, Yasmin Finney, Corinna Brown |
Synopsis
God Respects Us When We Work, But Loves Us When We Dance
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Heartstopper: Ending on a Hi
After the ending of the hit Netflix series “Heartstopper”, this special combines never-before-seen behind-the-scenes footage, cast and crew interviews, larger cultural commentary, and fan input.
Where to watch
Where to watch God Respects Us When We Work, But Loves Us When We DanceWhere to watch Heartstopper: Ending on a Hi
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