God Respects Us When We Work, But Loves Us When We Dance vs Jascha Heifetz: God's Fiddler
Jascha Heifetz: God's Fiddler has the higher audience score (10/10 against 5.5/10 for God Respects Us When We Work, But Loves Us When We Dance). God Respects Us When We Work, But Loves Us When We Dance is the shorter watch at 20m compared with 1h 27m. God Respects Us When We Work, But Loves Us When We Dance is the older of the two (1968 against 2011). Both are documentary movies, so they suit a similar mood.
God Respects Us When We Work, But Loves Us When We Dance
Jascha Heifetz: God's Fiddler| God Respects Us When We Work, But Loves Us When We Dance | Jascha Heifetz: God's Fiddler | |
|---|---|---|
| Audience score | ★ 5.5/10 | ★ 10.0/10 |
| Year | 1968 | 2011 |
| Length | 20m | 1h 27m |
| Genres | Documentary | Documentary |
| Country | – | United States of America |
| Director | Les Blank, Skip Gerson | Peter Rosen |
| Main cast | – | Itzhak Perlman, Jascha Heifetz |
Synopsis
God Respects Us When We Work, But Loves Us When We Dance
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Jascha Heifetz: God's Fiddler
Not since Paganini had there been such a magician on the violin. Jascha Heifetz was the first truly modern virtuoso, a man about whom Itzhak Perlman said, 'When I spoke with him, I can't believe, I'm talking to God'. Heifetz was a legendary but mysterious figure whose story embodies the dual nature of artistic genius. The paradox of how a mortal man lives with immortal gifts - gifts he must honor, but which extract a life-long price. Is the man…
Where to watch
Where to watch God Respects Us When We Work, But Loves Us When We DanceWhere to watch Jascha Heifetz: God's Fiddler
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