God Respects Us When We Work, But Loves Us When We Dance vs Tomorrow is Saturday
Tomorrow is Saturday has the higher audience score (10/10 against 5.5/10 for God Respects Us When We Work, But Loves Us When We Dance). God Respects Us When We Work, But Loves Us When We Dance is the shorter watch at 20m compared with 1h 8m. God Respects Us When We Work, But Loves Us When We Dance is the older of the two (1968 against 2020). Both are documentary movies, so they suit a similar mood.
God Respects Us When We Work, But Loves Us When We Dance
Tomorrow is Saturday| God Respects Us When We Work, But Loves Us When We Dance | Tomorrow is Saturday | |
|---|---|---|
| Audience score | ★ 5.5/10 | ★ 10.0/10 |
| Year | 1968 | 2020 |
| Length | 20m | 1h 8m |
| Genres | Documentary | Documentary |
| Country | – | – |
| Director | Les Blank, Skip Gerson | Gillian Marsh, Gretta Ohle |
| Main cast | – | Sean Hillen |
Synopsis
God Respects Us When We Work, But Loves Us When We Dance
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
Tomorrow is Saturday
With a 50-year career north and south of the border, Newry-born artist Seán Hillen wears many hats; collagist, photomontage artist, inventor, polymath, conspiracy theorist, documentary photographer and sculptor. He has exhibited widely in museums and art galleries. But despite all this, Seán Hillen is the most heavily censored artist to come out of Britain or Ireland. Tomorrow is Saturday is a revealing documentary exploring the historical and…
Where to watch
Where to watch God Respects Us When We Work, But Loves Us When We DanceWhere to watch Tomorrow is Saturday
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