On the Impossibility of an Homage vs Parajanov, the Last Collage
On the Impossibility of an Homage has the higher audience score (10/10 against 7/10 for Parajanov, the Last Collage). On the Impossibility of an Homage is the shorter watch at 19m compared with 1h 8m. Parajanov, the Last Collage is the older of the two (1995 against 2024). Both are documentary movies, so they suit a similar mood.
On the Impossibility of an Homage
Parajanov, the Last Collage| On the Impossibility of an Homage | Parajanov, the Last Collage | |
|---|---|---|
| Audience score | ★ 10.0/10 | ★ 7.0/10 |
| Year | 2024 | 1995 |
| Length | 19m | 1h 8m |
| Genres | Documentary | Documentary |
| Country | Germany | – |
| Director | Xandra Popescu | Krikor Hamel, Ruben Gevorgyants |
| Main cast | Gabriela Durleci, Cristian Susu, Mirela Simniceanu, Ion Tugearu | Benoît Allemane, Jean-Luc Godard, Marina Vlady, Robert Hossein, Sergei Parajanov |
Synopsis
On the Impossibility of an Homage
Given a portrait, who is responsible for the image we see, the painter or the subject? Ion used to be a a rockstar of Ballet in Communist Romania. When we first discussed the possibility of a portrait, Ion was initially thrilled. He’d been dreaming that someday there’d be a film about him. But during the filmmaking process Ion finds it hard to let go.
Parajanov, the Last Collage
Parajanov lifts the curtain on numerous unfinished scenes and fragments of unshot films. These are memories of his childhood, death, friends, Tiflis, Kyiv, Yerevan. Seven stories from the life of Parajanov and the close circle that shared his entire life path with him.
Where to watch
Where to watch On the Impossibility of an HomageWhere to watch Parajanov, the Last Collage
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