The Beloved Child, or I Play at Being a Married Woman vs Tomorrow is Saturday
Tomorrow is Saturday has the higher audience score (10/10 against 6.6/10 for The Beloved Child, or I Play at Being a Married Woman). The Beloved Child, or I Play at Being a Married Woman is the shorter watch at 35m compared with 1h 8m. The Beloved Child, or I Play at Being a Married Woman is the older of the two (1971 against 2020). Both are documentary movies, so they suit a similar mood.
The Beloved Child, or I Play at Being a Married Woman
Tomorrow is Saturday| The Beloved Child, or I Play at Being a Married Woman | Tomorrow is Saturday | |
|---|---|---|
| Audience score | ★ 6.6/10 | ★ 10.0/10 |
| Year | 1971 | 2020 |
| Length | 35m | 1h 8m |
| Genres | Documentary | Documentary |
| Country | – | – |
| Director | Chantal Akerman | Gillian Marsh, Gretta Ohle |
| Main cast | Claire Wauthion, Chantal Akerman, Daphné Merzer | Sean Hillen |
Synopsis
The Beloved Child, or I Play at Being a Married Woman
In this unfinished work, a young mother, her little girl, as well as a friend of the mother's, spend the summer in a villa. The mother shares her problems – womanhood, motherhood, being married - with her friend, dresses up with the little girl, observes her body, and does a series of household tasks.
Tomorrow is Saturday
With a 50-year career north and south of the border, Newry-born artist Seán Hillen wears many hats; collagist, photomontage artist, inventor, polymath, conspiracy theorist, documentary photographer and sculptor. He has exhibited widely in museums and art galleries. But despite all this, Seán Hillen is the most heavily censored artist to come out of Britain or Ireland. Tomorrow is Saturday is a revealing documentary exploring the historical and…
Where to watch
Where to watch The Beloved Child, or I Play at Being a Married WomanWhere to watch Tomorrow is Saturday
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